Mixing andmastering.

Name your tracks and groups, remove unused channels and use Collect All and Save to gather the audio files. Keep the source material and avoid flattening or bouncing over the original tracks. Agree on frozen tracks or audio exports for plug-ins the studio does not have. Include your rough mix and zip the project folder.

Multitracks are the individual session tracks. Stems are groups such as drums, bass, synths and vocals. For Mix + Master, send individual tracks or the session agreed with the studio. For Stem Master, send up to eight aligned groups with the same start and duration, preserving your mix balance.

Export the approved mix as a 24-bit or 32-bit WAV at the original session sample rate, at least 44.1 kHz. Leave around 3 dB of headroom and disable dither. The file should have no clipping or unintended distortion. If a limiter is only there to demonstrate loudness, also send an unlimited premaster and label the processed version as your rough.

Dolby Atmos is an immersive audio format. Beyond the left and right positions of a stereo mix, it lets us work with depth, height and movement. The mix carries audio and positioning information that the playback system adapts to the listening equipment.

Sources: Dolby Professional

Apple Music, TIDAL and Amazon Music offer music in Dolby Atmos. Availability depends on the track, plan, region and device. Look for the Dolby Atmos label on the version you are playing and check your service’s playback guidance.

Sources: Dolby / Amazon Music

Compatible devices and apps can play Atmos through headphones, built-in speakers, soundbars or multichannel systems. Some cars also support it. The full playback chain matters: an Atmos-capable TV does not mean every music app on it supports the format.

Sources: Dolby / TIDAL

Open the track in Listen in your Client Area and compare the versions. Mark passages that need changes, add notes and gather your comments before submitting a revision request. Included rounds and any additional charges follow your order’s agreed scope.

List the versions in your order and clearly label each file. For mastering, an included edit must preserve the same mix and allow the same processing as the main version. A different mix or additional editing work may require an add-on. The scope is confirmed before work starts.

The standard delivery is a stereo WAV at 24-bit / 44.1 kHz. Other sample rates, bit depths or versions are agreed in the order according to the release destination. Atmos and vinyl preparation have separate requirements confirmed during project review.